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William Castle Tribute V: Audience Participatory Supplements (Part Two)

In my entry for the 19th of April , I discussed the many "gimmicks" that the great William Castle used to promote his films.  In that article- and the previous ones in the William Castle Tribute series, you probably noticed that I put quotes around the word, "gimmick".  The reason for this is that I really don't like that word as it applies to William Castle movies.  The word implies that the ways he promoted his films were silly, frivolous, and pointless. I would have to disagree. Personally, I think of his "gimmicks" more in the terms of "Audience Participatory Supplements."  This term is actually more accurate than the commonly used term "gimmick". "How?" you may ask?  Well, I'll tell you. Let's take Castle's movie, "The Tingler".  By rigging the seats with essentially giant joy buzzers, and having Vincent Price tell the audience that they need to scream for their lives, William Castle mad...

William Castle Tribute V: Audience Participatory Supplements (Part One)

In 1958, the world was introduced to William Castle's movie, "Macabre," and the first of many "gimmicks" that he would use to promote his movies. The "gimmick" for "Macabre" was pretty simple compared to some of the later ones.  To market his movie, a certificate for a $1,000.00 life insurance policy- issued by Lloyd's of London was handed out to movie goers.  These certificates would only be redeemed if the movie goer died of fright during the movie.  To add to the flavor of this promotion, hearses were parked outside the theaters showing the movie, and nurses were placed in the lobbies... just in case. William Castle followed up the life insurance certificate with the introduction of "Emergo"- a new technology that helped to bring the audience closer to the action on the screen.  It was in fact, more 3D than 3D!  During the climatic scene of "House on Haunted Hill", this technology was used to add to the intensi...

William Castle Tribute- Introduction

April 24, 1914 saw the birth of a horror movie icon to a Jewish family living in New York.  This icon's name was William Schloss.  This child would eventually translate his last name from German into English... becoming the person that would one day be known for creating some of the most beloved horror b-movies ever made.  He would become such an icon that he'd wind up inspiring a movie character, and having a production company named for him. This child would grow up to become the icon known as William Castle. I don't think there is a true horror fan alive who DOESN'T know who William Castle is- or haven't seen at LEAST one of his films.  He was known for his famous "gimmicks" that he used to advertize his films- often being the subject of jokes by movie people.  But underneath those jokes, I'd wager that the people making them harbor a good amount of admiration and respect for Mr. Castle.  He was bold, ingenious, and a showman that turned a simpl...

Dead Noon

Demons, skeletons, gun slingers and zombies abound as an old west outlaw rises from the grave in the modern west seeking revenge. Of the genres that tends to attract the most deplorable movies, I would have to say that horror and comedy are about equal.  At least with horror, you can count on- if not an A-List movie, at least coming across a decent B-Grade movie... unlike comedy where it's either a good comedy, or a trainwreck. Of course, that's not to say that the horror genre doesn't have its share of trainwrecks... or in the case of "Dead Noon," stagecoach wrecks. The premise sounds cool in a Sam Raimi, "Evil Dead: Army of Darkness" sort of way.  The potential for humour and scares is ripe for that premise.  Too bad this movie doesn't come close to fulfilling that potential. I have a very basic movie watching rule: You don't stop until it's over.  I wound up breaking that rule while watching this movie... within the first ten to f...