Skip to main content

The Curtain Rises... and the Lights Dim...

There is nothing like sitting in a darkened theatre.  The lights slowly dimming... the curtains parting... the audience quieting down.

And then the gasps, and screams, and the rustle of clothes as people jump and squirm in their seats at the sights upon the screen...

There is nothing like the horror movie.  They can reach deep into our minds, and bring out most twisted nightmares to hellish reality in front of us.  They can splatter us with hot crimson life blood and slimey entrails.  They can stalk us from the shadows and pounce on us with the speed and violence of a black panther.  They can haunt us long after the lights come up and the credits roll.

Oh, yes... to my mind, there is nothing like the horror movie.  Vampires, zombies, and werewolves.  Sea serpents, radioactive lemmings, and rampaging dinosaurs.  Faceless killers, suave psychos, and beautiful black widows.  Ghosts, banshees, and demonic children.  All up on the big screen... all for a perverse therapy session of mad scientist proportions.

But some of these horrors and abominations are better than others... and that's where The Corner of Terror comes in.  As a fan of the horror genre, I watch a lot of horror movies (and own quite a few too), so I'll be here in the darkness with you... whispering which movies are worth being scared by, and which deserve a stake through it's infernal heart.

Oh, and I'll be reminding you in a voice as silky as the shadows that it's only a movie... at least it is until the cold fingers of Death caresses your cheek... and you scream...

Comments

  1. We in The Basement look forward to your thoughts on this most unholiest of genres, be they Good, Bad or Ugly.

    ReplyDelete

Post a Comment

Popular posts from this blog

Grave Questions: Jessica Cameron

February is " Women in Horror Month "- a month in which to celebrate the impact that women have had on the genre and the industry- from writing, to acting, to directing and producing. Jessica Cameron has experienced the industry in all those capacity- making her a perfect choice for me to ask some " Grave Questions " of in order to raise awareness of the great women in Horror. Please not that this article SHOULD'VE been posted in February, but due to technical difficulties, we're putting it up now.  Thank you. TCoT :   Which female horror stars helped to inspire you to not only enjoy the genre- but to get involved in bringing scary movies to the world? Jessica :  I literally said to my " Truth or Dare " producer, "If the Soska sisters can make " Dead Hooker in a Trunk " with nothing, then I can make " Truth or Dare ".  So needless to say that those girls have been a huge inspiration in everything I do behind the

Meridian: Kiss of the Beast (1990)

Sometimes, a director/producer will surprise you- such was the case during " Terrorpolooza 2012 " when I watched Charles Band's " Meridian: Kiss of the Beast " Catherine Bomarzini has come home after her father's death.  Needing company, she asks Gina to stay with her.  Soon, the two meet a wondering troupe of performers that Catherine invites to dinner at her castle. Catherine find herself pulled into a love triangle and an ancient curse that only she can break. After watching movies like " Evil Bong ", and " Demonic Toys ", I really wasn't expecting too much from this Charles Band movie- but I was pleasantly surprised by it. The story is actually quite interesting with lots of potential for eerie scenes, and character development.  It's a nice twist on the classic " Beauty and the Beast " story.  It's a bit slower than most of Band's other works, but moves smoothly and draws you with it. I have to ad

The Phantom of the Opera

  Not too long ago, I reviewed the silent horror classic, "Nosferatu: A Symphony of Horror", and wound up being in the mood to view a few other of the silent horror films in my collection.  The next one I watched was "The Phantom of the Opera", starring Lon Chaney, Sr, and released in 1925.   A mysterious stranger has been threatening the star singer of the Paris Opera House- someone who has signs his letters simply as, "The Phantom".  This stranger wants to clear the way so his protege, Christine Daae can ascend to stardom herself.  Soon, her love for the Comte de Chagny collides with The Phantom's desire for Christine forcing both to take drastic actions in order to be with the one they love. " The Phantom of the Opera " actually underwent three periods of re-shoots and editing, due to poor reception and test viewings.  In 1930, a sound version was created- often assumed to be what is called "The Eastman House Print".  It is