Skip to main content

"Paperbacks From Hell" (Grady Hendrix)

 


Today in "The Corner of Terror," we have a special Guest Reviewer: Jason H from "From the Basement", so let's see what offering he brings to our dark corner of the internet...

There was a time when books were sold pretty much everywhere. Grocery stores, drug stores, smoke shops, you name it. And individual paperbacks could sell 12 million copies in North America alone. That was back when writing a best seller really meant something.

This was the 60s, 70s, and 80s, and one of the most prolific – and profitable – genres was the horror novel. What set these books apart from their modern counterparts was an unashamed desire on the part of the writer to gross out, offend, titillate and, at times, outright disturb.

Or, at the very least, baffle. 

Psychic Nazi dwarves who enjoy S&M? These paperbacks had them. Armies of mutant rats eating the populace of London, England? You betcha! Mystics that bite off young boys’ penises? But of course.

This was a time when anything that could go, went. Political correctness hadn’t been invented yet. And the goal of any publisher was to sell, sell, sell. Welcome to the era when Paperbacks from Hell ruled the book racks!

Horror author Grady Hendrix explores the tropes, trials, and tribulations of this “literary” period in his book "Paperbacks From Hell", shining the spotlight on these often forgotten books. But not so forgotten that, once I caught a glimpse of many of the beautiful covers, I was taken back to my youth when I spent a good hour wandering the book sections of drugstores and shopping marts, perusing these titles while my mom shopped.

Hendrix, who’s penned such witty modern horror as "My Best Friend’s Exorcism" and "Horrorstore" (this one is about a haunted Ikea) brings humour to the exploration… because how could one not? Some of these books sound downright silly, but were played completely straight and went for the jugular more often than not.

He dedicates equal attention to the cover artists, many of whom painted their work because, well, computers didn’t do graphics back then. And his focus isn’t on the big guns like Stephen King, although he does get some mention, but lesser known – but no less prolific – writers like James Herbert, J.N. Williamson, and Ruby Jean Jensen.

This book is a hoot to read, and is a fun trip down memory lane to simpler times. Hendrix was also kind enough to start a "Paperbacks From Hell" publishing line, bringing many of these long out-of-print-novels back on the market. I appreciate this, but my bank account doesn’t as I’m tracking down many a title as we speak. These books certainly sound like they’re a lot more fun read than many modern publications. 

As you can tell, "Paperbacks from Hell" is a" Good", and I highly recommend it for fellow horror fans.

Comments

Popular posts from this blog

Grave Questions: Jessica Cameron

February is " Women in Horror Month "- a month in which to celebrate the impact that women have had on the genre and the industry- from writing, to acting, to directing and producing. Jessica Cameron has experienced the industry in all those capacity- making her a perfect choice for me to ask some " Grave Questions " of in order to raise awareness of the great women in Horror. Please not that this article SHOULD'VE been posted in February, but due to technical difficulties, we're putting it up now.  Thank you. TCoT :   Which female horror stars helped to inspire you to not only enjoy the genre- but to get involved in bringing scary movies to the world? Jessica :  I literally said to my " Truth or Dare " producer, "If the Soska sisters can make " Dead Hooker in a Trunk " with nothing, then I can make " Truth or Dare ".  So needless to say that those girls have been a huge inspiration in everything I do behind the

Meridian: Kiss of the Beast (1990)

Sometimes, a director/producer will surprise you- such was the case during " Terrorpolooza 2012 " when I watched Charles Band's " Meridian: Kiss of the Beast " Catherine Bomarzini has come home after her father's death.  Needing company, she asks Gina to stay with her.  Soon, the two meet a wondering troupe of performers that Catherine invites to dinner at her castle. Catherine find herself pulled into a love triangle and an ancient curse that only she can break. After watching movies like " Evil Bong ", and " Demonic Toys ", I really wasn't expecting too much from this Charles Band movie- but I was pleasantly surprised by it. The story is actually quite interesting with lots of potential for eerie scenes, and character development.  It's a nice twist on the classic " Beauty and the Beast " story.  It's a bit slower than most of Band's other works, but moves smoothly and draws you with it. I have to ad

The Phantom of the Opera

  Not too long ago, I reviewed the silent horror classic, "Nosferatu: A Symphony of Horror", and wound up being in the mood to view a few other of the silent horror films in my collection.  The next one I watched was "The Phantom of the Opera", starring Lon Chaney, Sr, and released in 1925.   A mysterious stranger has been threatening the star singer of the Paris Opera House- someone who has signs his letters simply as, "The Phantom".  This stranger wants to clear the way so his protege, Christine Daae can ascend to stardom herself.  Soon, her love for the Comte de Chagny collides with The Phantom's desire for Christine forcing both to take drastic actions in order to be with the one they love. " The Phantom of the Opera " actually underwent three periods of re-shoots and editing, due to poor reception and test viewings.  In 1930, a sound version was created- often assumed to be what is called "The Eastman House Print".  It is