Some might argue Byron Haskin’s adaptation of H.G. Wells’s
classic novel is more sci-fi than horror, and technically, they’re right. But
the story of Martians attacking Earth, and pretty much kicking our collective asses all over the planet, is a scary one. And Haskin delivers scenes of mass
destruction and human tragedy with such panache and gritty realism (for the
era) that this film is still horrifying.
That’s my pretzel logic on the matter, anyway.
Owing more than a bit to Orson Welles’s famed Halloween radio
broadcast, this version quickly brings audiences up to speed on the Martian
plan, and settles in on a small California town that becomes the focus of much
of the film. As with the radio version, the Martian reveal is slow at
first, building suspense and drama, before the attack happens.
Haskin and screenwriter Barre Lyndon borrow heavily from
Welles for the first half hour, but that’s fine. It’s understandable, given what a
landmark production his radio play was. Spielberg and company did much the same
at the outset of their 2005 adaptation, only taking from this movie instead.
Even by today’s standards, some of the action and scenes of
destruction- especially during the film’s final act- are harrowing. The
devastation of Los Angeles particularly so. It helps that we care about the heroes: square-jawed scientist, Clayton Forrester and his lady love, Sylvia- who has the
classic good looks of a pin-up model thanks to actor Ann Robinson. We like
them. We want them to survive and be together, hence the action works.
This version of "War of the Worlds" has aged well. Sure, some
of the effects are dated, and things slip into melodrama, but this was the
1950s, and things were different than. But good filmmaking stands the test of
time, and this film still packs a cinematic punch. A Good.
Comments
Post a Comment