Skip to main content

Demon Seed (Dean Koontz)

 


Susan has withdrawn from the world  after her divorce from her abusive husband.  Her mansion contains state of the art household automation.  She is secure from the dangers of modern Life.  She is safe from an unsafe world...

Too bad her mansion had other ideas...

The idea of a Alexa/Siri controlled house going haywire may sound like something written within the past decade, but you might be surprised that Dean Koontz actually wrote this book back in 1973.

That's right.  Just five years after "2001: A Space Odyssey" hit theatres, Koontz wrote this book brining HAL to a more personal level, while predicting the advent of programs like Alexa and Siri.

This book is actually a pretty quick read at 301 pages.  The story progresses and builds at a steady and fast pace.  The writing is smooth and seamless as the tension and events unfold before you.  I lost track of time as I turned page after page.  I loved that this book was written from the perspective of the errant AI.  The wording and sentence structure perfectly reflects the "almost human" thought and speech patterns of a computerized intelligence.

Unlike many novels that focus on the protagonist, and develops their character, "Demon Seed" develop the antagonist over the "hero".  Proteus is a chilling and very plausible example of an AI created by less that perfect humans- reflecting the gender biases and darker elements of male aggression and entitlement.

With "Demon Seed," Koontz gives the world a precise and biting indictment of male based sexism and "superiority", as well as a warning that any AI created will contain the same flaws and vices as those that create it.  This book serves also as a warning about letting technology rule our lives and control the environment around us.

All in all, I have to give "Demon Seed" a place in "The Good".

Comments

Popular posts from this blog

Grave Questions: Jessica Cameron

February is " Women in Horror Month "- a month in which to celebrate the impact that women have had on the genre and the industry- from writing, to acting, to directing and producing. Jessica Cameron has experienced the industry in all those capacity- making her a perfect choice for me to ask some " Grave Questions " of in order to raise awareness of the great women in Horror. Please not that this article SHOULD'VE been posted in February, but due to technical difficulties, we're putting it up now.  Thank you. TCoT :   Which female horror stars helped to inspire you to not only enjoy the genre- but to get involved in bringing scary movies to the world? Jessica :  I literally said to my " Truth or Dare " producer, "If the Soska sisters can make " Dead Hooker in a Trunk " with nothing, then I can make " Truth or Dare ".  So needless to say that those girls have been a huge inspiration in everything I do behind the

Meridian: Kiss of the Beast (1990)

Sometimes, a director/producer will surprise you- such was the case during " Terrorpolooza 2012 " when I watched Charles Band's " Meridian: Kiss of the Beast " Catherine Bomarzini has come home after her father's death.  Needing company, she asks Gina to stay with her.  Soon, the two meet a wondering troupe of performers that Catherine invites to dinner at her castle. Catherine find herself pulled into a love triangle and an ancient curse that only she can break. After watching movies like " Evil Bong ", and " Demonic Toys ", I really wasn't expecting too much from this Charles Band movie- but I was pleasantly surprised by it. The story is actually quite interesting with lots of potential for eerie scenes, and character development.  It's a nice twist on the classic " Beauty and the Beast " story.  It's a bit slower than most of Band's other works, but moves smoothly and draws you with it. I have to ad

The Phantom of the Opera

  Not too long ago, I reviewed the silent horror classic, "Nosferatu: A Symphony of Horror", and wound up being in the mood to view a few other of the silent horror films in my collection.  The next one I watched was "The Phantom of the Opera", starring Lon Chaney, Sr, and released in 1925.   A mysterious stranger has been threatening the star singer of the Paris Opera House- someone who has signs his letters simply as, "The Phantom".  This stranger wants to clear the way so his protege, Christine Daae can ascend to stardom herself.  Soon, her love for the Comte de Chagny collides with The Phantom's desire for Christine forcing both to take drastic actions in order to be with the one they love. " The Phantom of the Opera " actually underwent three periods of re-shoots and editing, due to poor reception and test viewings.  In 1930, a sound version was created- often assumed to be what is called "The Eastman House Print".  It is